NoiseFloor 2022: All times UTC +1. BST-British Summer Time
Day One – Thursday May 12th
| 10:00 – 11:00 | Conference Open – registration and Tea / coffee (TV Studio) |
| 11:00 – 12:10 | Concert 1 – FIXED MEDIA Electroacoustic (TV Studio) Francis Dhomont – Perpetuum mobile (Fantom rains) Rodney DuPlessis – De Rerum Natura Kerry Hagan – Memento MoriLeah Reid – Reverie Domenico De Simone – HYPNOS Leigh Landy – On the Éire TOTAL: c. 65′ |
| 12:10 – 12:30 | Break |
| 12:30 – 14:00 | Paper Session A (G026) Jason Palamara – Morphone Templates for Machine Learning-Enabled Music Performance Stefano Catena – Concepts and approaches in analysing spatial gestures: a link between Mozart and acousmatic music John Dack – Open Forms: extending and/or subverting traditional forms? |
| 14:00 – 14:15 | Break |
| 14:15 – 16:00 | Concert 2 – Recitals and Lecture Recitals (TV Studio) Hubert Howe – Structuring Inharmonic Spectra in Electroacoustic Music: Irrational Numbers Rodney DuPlessis – Psi: From stochastic music to quantum music Lauren Redhead – Performing Creative Textual Practices as Critical Re-writings TOTAL: c. 105′ |
| 16:00 – 16:30 | Break – Tea/Coffee (TV Studio) |
| 16:30 – 17:30 | Keynote (G026) Leigh Landy – Art for Art’s Sake vs. Art for Life’s Sake: There’s no need to avoid tradition within innovative sonic creativity |
| 17:30 – 18:30 | Break |
| 18:30 – 19:45 | Concert 3 – FIXED MEDIA Audio-visual (TV Studio) Michael Lyons – Tenjinsan Textiles Charles Nichols, Zach Duer, Scotty Hardwig – Time Garden: skull bridge Calum Wilton – The Void Ryo Ikeshiro – Composition: White Square, White Circle Marcel Zaes – Pulsations Debashis Sinha – and the resplendent Ali Balighi – Still Life Bret Battey – Estuaries 4 David Arango – •õ° TOTAL TIME: 75′ |
Installation – TV Studio Foyer. Tim Anderson – Autumn 2020: A Bricolage from the Gesamtkunstwerk
Day Two – Friday May 13th
| 11:00 – 12:00 | Paper Session B (G026) David Cotter – The Collaborative Guitar Bennet Hogg – Lost Voices, and Ghosts in Machines: Electroacoustic Voices as Tradition. |
| 12:00 – 12:15 | Break (Tea /Coffee) |
| 12:15 – 13:30 | Concert 4 – Acoustic instruments with electronics + Music Interactive (TV Studio) Sohrab Uduman and Sarah Watts – …after it’s in the air again Jason Palamara – Past every exit Rodney DuPlessis – Coacervate Manoli Moriaty – Aphonae James Dooley and Dave Payling – Biphase Total 60′ |
| 13:30 – 14:00 | Break |
| 14:00 – 15:00 | CHIME Panel (G026) CHIME is the EPSRC network on Music and Human Computer Interaction (chime.ac.uk). This session will introduce this wide-ranging area of research and practice; showcase diverse projects, seek views from the NoiseFloor community on current challenges in music, technology and interaction, and discuss ways in which the activities of the network might be useful to those present. |
| 15:00 – 15:15 | Break |
| 15:15 – 16:45 | Paper Session C (G026) Marc Estibeiro – An Interactive Chamber Work for Classical Guitar and Electronics Francisco Mazza – Listening as Strategy for Research: Expanding Sonic Thinking in Documentary Filmmaking Manoli Moriaty – Controllerist practice: a pop-music approach in Digital Instrument Design |
| 16:45 – 17:15 | Break – Tea/Coffee |
| 17:30 – 18:45 | Concert 5 – FIXED MEDIA Acousmatic (TV Studio) Leigh Landy – E Pluribus Plures Francisco Mazza – Yano Ma Mikel Kuehn – Unlocking the Keys Zach Thomas – husk (#2) Jim Reeve-Baker – Pluck Red Violet: Time Stretched Clusters and Layers of Pre-Echo Artefacts; Droning Stereo Movement; and Cumulative Delays Within Rapid Gestures of Red and Violet Noise Bennett Hogg – What Did You Find? David Berezan – Tongue Drum TOTAL: c. 65′ |
Installation – TV Studio Foyer. Tim Anderson – Autumn 2020: A Bricolage from the Gesamtkunstwerk
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